Turnarounds

I-VI7-ii-V (Dominant VI)

The V7 of ii, built on the sixth degree. More tension than the diatonic vi. Common in bebop.

Key
C
Level
intermediate
Where
Bebop tunes, fast tempos

The changes

  1. Cmaj7
  2. A7
  3. Dm7
  4. G7

The hands

Left hand then right, as the source writes them. A pianist's voicing routinely carries a colour the chord symbol does not spell — a flat ninth over a dominant, a ninth on top of a seventh chord — so the notes printed under each keyboard are what is actually played, rather than what the symbol alone would predict.

Cmaj7

chord 1

LH C2 G2RH E4 B4 D5

A7

chord 2

LH A2 E3RH C#4 G4 Bb4

3rd and b7 prominent

Dm7

chord 3

LH D3 A3RH F4 C5 E5

G7

chord 4

LH G2 D3RH B3 F4 A4

Associated players