Lineage

The jazz piano family tree

44 influence connections run between the pianists on this site. These eleven are the ones whose position in the line is the most useful thing we have to say — no transcriptions of their hands survive in the app, but the tree knows exactly where they sit.

Everything below is scoped to the app's own tree, which is a teaching map and not a complete history of the music. Where a pianist's influences include someone the app does not teach, they are named here without a link, because trimming them to the people we have pages for would quietly change what the app actually says.

Ragtime era still life for Scott Joplin: a wind-up metronome in dark lacquered wood with a brass pendulum, stilled off-centre.

Ragtime

Scott Joplin

1868–1917 · Ragtime - syncopated melodies over steady bass

Composed 'The Entertainer' and 'Maple Leaf Rag' - established ragtime as concert music

Led to

  • James P. Johnson — Father of stride piano - composed 'The Charleston' and influenced all stride pianists
Ragtime era still life for Jelly Roll Morton: a pocket watch on its chain, coiled on dark lacquer.

Ragtime

Jelly Roll Morton

1890–1941 · New Orleans jazz/ragtime fusion

Claimed to have 'invented jazz' in 1902 - bridged ragtime and jazz improvisation

Led to

  • James P. Johnson — Father of stride piano - composed 'The Charleston' and influenced all stride pianists
Stride era still life for James P. Johnson: a stack of ink-copied manuscript paper, curled at the corner.

Stride

James P. Johnson

1894–1955 · Stride piano - left hand 'striding' between bass notes and chords

Father of stride piano - composed 'The Charleston' and influenced all stride pianists

Grew out of

  • Scott Joplin — Composed 'The Entertainer' and 'Maple Leaf Rag' - established ragtime as concert music
  • Jelly Roll Morton — Claimed to have 'invented jazz' in 1902 - bridged ragtime and jazz improvisation

Led to

  • Fats Waller — Made stride accessible and entertaining - 'Ain't Misbehavin' became standard
  • Art Tatum — Set impossible technical standard - reharmonization genius that influenced all future pianists
  • Thelonious Monk — Created completely original approach - whole-tone scales, dissonance, space as music
Stride era still life for Fats Waller: a bowler hat resting crown-down on a worn piano stool.

Stride

Fats Waller

1904–1943 · Stride with humor and showmanship

Made stride accessible and entertaining - 'Ain't Misbehavin' became standard

Grew out of

  • James P. Johnson — Father of stride piano - composed 'The Charleston' and influenced all stride pianists

Led to

  • Art Tatum — Set impossible technical standard - reharmonization genius that influenced all future pianists
  • Count Basie — Proved that space and simplicity can be as powerful as virtuosity
  • Teddy Wilson — Broke racial barriers playing with Benny Goodman - influenced bebop generation
Swing era still life for Count Basie: a music stand holding one blank card, everything else dark.

Swing

Count Basie

1904–1984 · Sparse, economical swing - less is more

Proved that space and simplicity can be as powerful as virtuosity

Grew out of

  • Fats Waller — Made stride accessible and entertaining - 'Ain't Misbehavin' became standard
Swing era still life for Teddy Wilson: a pair of white gloves folded on a closed fallboard.

Swing

Teddy Wilson

1912–1986 · Elegant, refined swing with perfect touch

Broke racial barriers playing with Benny Goodman - influenced bebop generation

Grew out of

  • Art Tatum — Set impossible technical standard - reharmonization genius that influenced all future pianists
  • Fats Waller — Made stride accessible and entertaining - 'Ain't Misbehavin' became standard

Led to

  • Bud Powell — Translated bebop to piano - right hand plays horn-like lines while left comps
Hard Bop era still life for Horace Silver: a reel of quarter-inch tape half unspooled across the console.

Hard Bop

Horace Silver

1928–2014 · Funky hard bop with gospel and blues influences

Created hard bop sound - funky, bluesy, accessible jazz

Grew out of

  • Bud Powell — Translated bebop to piano - right hand plays horn-like lines while left comps
  • Thelonious Monk — Created completely original approach - whole-tone scales, dissonance, space as music

Led to

  • Wynton Kelly — Perfect combination of blues feeling and bebop sophistication - Miles's favorite pianist
  • Chick Corea — Return to Forever pioneered jazz-rock fusion - 'Spain' became a standard
Free Jazz era still life for Cecil Taylor: a shattered pane of glass laid flat, reflecting one warm line.

Free Jazz

Cecil Taylor

1929–2018 · Avant-garde, percussive, atonal

Treated piano as percussion instrument - complete freedom from traditional harmony

Grew out of

  • Duke Ellington
  • Dave Brubeck

Led to

  • Vijay Iyer — Brought rhythmic complexity and cultural fusion - MacArthur Genius Grant recipient
Free Jazz era still life for Andrew Hill: manuscript paper torn clean in half and laid slightly apart.

Free Jazz

Andrew Hill

1931–2007 · Cerebral, complex post-bop

Sophisticated compositions that blend tradition and avant-garde

Grew out of

  • Thelonious Monk — Created completely original approach - whole-tone scales, dissonance, space as music
  • Bud Powell — Translated bebop to piano - right hand plays horn-like lines while left comps

Led to

  • Jason Moran — Blends jazz with visual art and hip-hop - Kennedy Center Artistic Director for Jazz
  • Vijay Iyer — Brought rhythmic complexity and cultural fusion - MacArthur Genius Grant recipient
Fusion era still life for Joe Zawinul: a bank of unmarked sliders, one pushed to its top.

Fusion

Joe Zawinul

1932–2007 · Electric keyboards and synthesizers in jazz

Weather Report and 'Birdland' - electronic keyboards as primary jazz instrument

Grew out of

  • Bill Evans — Revolutionized jazz piano with rootless voicings and impressionistic harmony - changed trio playing forever
  • McCoy Tyner — Quartal harmony and pentatonic scales over modal vamps - defined the 'Coltrane Quartet' sound
Contemporary era still life for Jason Moran: a roll of paper unfurling across a dark wooden floor, its far end lost in shadow.

Contemporary

Jason Moran

b. 1975 · Avant-garde post-bop with multimedia performance

Blends jazz with visual art and hip-hop - Kennedy Center Artistic Director for Jazz

Grew out of

  • Andrew Hill — Sophisticated compositions that blend tradition and avant-garde
  • Thelonious Monk — Created completely original approach - whole-tone scales, dissonance, space as music
  • Muhal Richard Abrams

The whole tree moves

This page is a slice of it. The app draws the full graph, generation by generation, and lets you walk it in either direction — which is the only way a lineage is actually useful, because the interesting question is never who influenced one pianist but what a whole line of them was solving.

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The Jazz Voicing Cheat Sheet

One page. The rootless voicings working pianists actually use, in every key, with the fingerings. Free.

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